“I feel like women in my grandmother’s generation were expected to put on a pretty face and not really show their crazy sides,” Kacey Musgraves said, describing the ideas behind the three-time ACM-Award nominated song she cowrote with Brandy Clark and Shane McAnally. “Now, it’s a bit different.”
“The GRAMMYs actually heard the song and they stepped up right beside me, saying, ‘Hey, we hear you. We get it. We’re with you.”
GRAMMYs exec producer Ken Ehrlich on how Kendrick suggested a collabo with Imagine Dragons and what goes into getting Beatles together.
It’s a moody anthem that serves as the closing song on his 2013 album’ Two Lanes of Freedom.’ McGraw was drawn to it’s “timeless” quality.
“When we were about to pick the first single I really lobbied for ‘Merry Go ‘Round’ because I’m out there every night and I can tell you, hands down this is the one people are connecting with. I’m really glad that was my first thing to say to the world.”
Frontman Ezra Koenig on about how their hit single from the GRAMMY-nominated ‘Modern Vampires of the City’ went through a rough ugly duckling stage until they figured out that vocal effect—you know the one.
“When I heard ‘Wagon Wheel’ at my daughter’s high school talent contest, I just thought, ‘Man some day I’m going to cut the song for a record.’ It was one of those lightning bolt things that I can’t even explain.”
“I think one of the first lines I wrote from that song,” Lorde told Radio.com, “which was, ‘We’re driving Cadillacs in our dreams,’ was in a diary that I had when I was like 11 or 12, so young.”
For this installation of GRAMMY Gourmet, we spoke with Homme about his relationship with Bourdain, his favorite recipe (sorry folks, recipe’s secret), and advice for all those aspiring chefs out there.
In a surprise jailhouse interview just hours after a jury began deliberating her fate, Jodi Arias spoke out Tuesday about her murder trial, her many fights with her legal team and her belief that she “deserves a second chance at freedom someday.”